正片
奧莉維婭
The Pit of Loneliness 孤獨(dú)的深淵
影片信息
- 拼音：aoliweiya
- 狀態(tài)：已完結(jié)
- 主演：Marie-Claire Olivia/Yvonne de Bray/
- 導(dǎo)演：Jacqueline Audry/
- 年份：1951
- 地區(qū)：法國(guó)
- 類(lèi)型：劇情/
- 時(shí)長(zhǎng)：內(nèi)詳
- 上映：1951-04-27
- 語(yǔ)言：法語(yǔ)
- 更新：2025-03-04 04:23
- 簡(jiǎn)介：大概是法國(guó)第一部描寫(xiě)女同志的故事片吧。 Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a landmark of lesbian representation. Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952. French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
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劇情簡(jiǎn)介
大概是法國(guó)第一部描寫(xiě)女同志的故事片吧?！ livia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a landmark of lesbian representation. Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952. French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
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